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Dr. Halo CUT
A legacy device-independent bitmap format from the Dr. Halo paint program.
The CUT format is a legacy raster image format associated with Dr. Halo, a popular paint program for MS-DOS in the 1980s. It was designed to be a device-independent format for storing images. A unique characteristic of the CUT format is that it typically does not store its own color palette. Instead, the palette is stored in a separate file with the extension .PAL. Without this companion file, a CUT image is often rendered in grayscale.
A CUT file begins with a simple 6-byte header specifying the width and height. The image data follows immediately and is compressed using Run-Length Encoding (RLE) to save disk space, which was critical in the floppy disk era. Because the file only contains indices (0-255) for the pixels, it relies entirely on the external .PAL file to map those indices to actual Red, Green, and Blue colors.
Dr. Halo was one of the first serious competitors to PC Paintbrush (PCX). The CUT format was widely used in the DOS era for creating graphics, screenshots, and simple illustrations. As Windows became dominant and formats like BMP and GIF standardized color storage, CUT fell into obscurity.
Kodak Cineon
A pioneering 10-bit logarithmic format designed by Kodak for digital film scanning and mastering.
The Cineon format (.cin) was developed by Kodak in the early 1990s as part of their Cineon Digital Film System. It was designed to capture the full dynamic range of film negatives. Unlike standard linear image formats, Cineon stores data in a 10-bit logarithmic density format, which closely mimics the response of film to light. This allows it to preserve highlight and shadow details that would be lost in linear 8-bit formats.
Cineon files use 10 bits per color channel (Red, Green, Blue), packed into 32-bit words (with 2 bits of padding). The key feature is the logarithmic encoding: pixel values represent printing density rather than linear brightness. A value of roughly 95 represents 'D-min' (clear film base), and the values scale up to represent increasing density. This allows the format to store a dynamic range that exceeds standard video formats.
Introduced in 1993, the Cineon system was the first end-to-end 4K digital intermediate workflow for motion pictures. While the hardware system was discontinued in 1997, the file format became the industry standard for visual effects and digital mastering until it was eventually superseded by the more flexible DPX (Digital Picture Exchange) format, which is directly based on Cineon.
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