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Sony Alpha RAW
The raw format powering the mirrorless revolution.
ARW is the raw image format used by Sony's Alpha series cameras (like the A7, A6000, and ZV series) and Cyber-shot RX series. As Sony became the dominant player in the mirrorless camera market, ARW became one of the most common raw formats in the world. ARW files contain the raw data from Sony's Exmor sensors. They are known for their malleability, allowing photographers to push shadows and pull highlights to extreme degrees without the image breaking apart.
ARW files are TIFF-based containers. Sony offers three main compression types: 1. **Uncompressed**: Massive files, but guaranteed maximum data integrity. 2. **Compressed (Lossy)**: The default for years. It uses a delta-compression scheme that can occasionally cause 'star eater' artifacts or posterization around high-contrast edges, but saves 50% space. 3. **Lossless Compressed**: Introduced in newer models (A7 IV, A1) to solve the quality issues of lossy compression without the massive size of uncompressed.
ARW replaced the older SR2 format. It has gone through several iterations (v2.3, v4.0). The format faced controversy in the past due to its lossy compression algorithm, which led Sony to introduce the Uncompressed and later Lossless Compressed options in response to user demand.
Kodak Cineon
A pioneering 10-bit logarithmic format designed by Kodak for digital film scanning and mastering.
The Cineon format (.cin) was developed by Kodak in the early 1990s as part of their Cineon Digital Film System. It was designed to capture the full dynamic range of film negatives. Unlike standard linear image formats, Cineon stores data in a 10-bit logarithmic density format, which closely mimics the response of film to light. This allows it to preserve highlight and shadow details that would be lost in linear 8-bit formats.
Cineon files use 10 bits per color channel (Red, Green, Blue), packed into 32-bit words (with 2 bits of padding). The key feature is the logarithmic encoding: pixel values represent printing density rather than linear brightness. A value of roughly 95 represents 'D-min' (clear film base), and the values scale up to represent increasing density. This allows the format to store a dynamic range that exceeds standard video formats.
Introduced in 1993, the Cineon system was the first end-to-end 4K digital intermediate workflow for motion pictures. While the hardware system was discontinued in 1997, the file format became the industry standard for visual effects and digital mastering until it was eventually superseded by the more flexible DPX (Digital Picture Exchange) format, which is directly based on Cineon.
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