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Sony Raw Format
The great-grandfather of Sony's ARW format.
SRF is the original raw format used by the very first Sony digital cameras, such as the Cyber-shot DSC-F828. It predates both SR2 and ARW. Like its successors, it contains uncompressed sensor data, but it uses older encryption and structure methods that are now largely obsolete.
SRF files are TIFF-based but heavily modified. They contain the raw data from the CCD sensors used in early 2000s Sony cameras.
Replaced by SR2, which was then replaced by ARW.
Kodak Cineon
A pioneering 10-bit logarithmic format designed by Kodak for digital film scanning and mastering.
The Cineon format (.cin) was developed by Kodak in the early 1990s as part of their Cineon Digital Film System. It was designed to capture the full dynamic range of film negatives. Unlike standard linear image formats, Cineon stores data in a 10-bit logarithmic density format, which closely mimics the response of film to light. This allows it to preserve highlight and shadow details that would be lost in linear 8-bit formats.
Cineon files use 10 bits per color channel (Red, Green, Blue), packed into 32-bit words (with 2 bits of padding). The key feature is the logarithmic encoding: pixel values represent printing density rather than linear brightness. A value of roughly 95 represents 'D-min' (clear film base), and the values scale up to represent increasing density. This allows the format to store a dynamic range that exceeds standard video formats.
Introduced in 1993, the Cineon system was the first end-to-end 4K digital intermediate workflow for motion pictures. While the hardware system was discontinued in 1997, the file format became the industry standard for visual effects and digital mastering until it was eventually superseded by the more flexible DPX (Digital Picture Exchange) format, which is directly based on Cineon.
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