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Olympus RAW
The raw format for Micro Four Thirds photography.
ORF is the proprietary raw image format used by Olympus (now OM System) cameras. It is the standard raw format for the Micro Four Thirds system cameras produced by Olympus. ORF files contain the unprocessed data from the sensor. Because Micro Four Thirds sensors are smaller than APS-C or Full Frame, the raw data is critical for maximizing image quality, noise reduction, and dynamic range.
ORF files are TIFF-based. They store 12-bit or 14-bit sensor data. A unique feature of modern Olympus cameras is 'High Res Shot' mode, which shifts the sensor to take 8 or 16 images and merges them into a single massive raw file (up to 80 megapixels). This resulting file is still an .orf, but it contains vastly more data than a standard shot.
ORF has been used since the early Olympus E-System DSLRs. It has persisted through the transition to mirrorless PEN and OM-D series. With the rebranding to OM System, the format extension remains .orf.
DPX (Digital Picture Exchange)
The industry standard for digital intermediate and visual effects work in film.
Digital Picture Exchange (DPX) is a raster image format used primarily in the motion picture industry for visual effects (VFX) and Digital Intermediate (DI) work. It is an ANSI/SMPTE standard (SMPTE 268M-2003) designed to represent the density of film scans without loss of quality. Unlike consumer formats, DPX is usually uncompressed and stores color information in a 'logarithmic' (Log) format to preserve the full dynamic range of motion picture film. A single second of 4K movie footage in DPX format can consume enormous amounts of storage (hundreds of megabytes), making it strictly a production format, not one for distribution.
A DPX file starts with a 'Generic Image Header' (magic number: SDPX) containing core details like file size and image orientation. This is followed by 'Industry Specific Headers' for Motion Picture or Television data (timecodes, frame rates). Finally, the 'Image Data' block contains the raw pixel values. DPX supports a wide variety of bit depths, but 10-bit Log RGB is the most common industry standard. It packs these 10-bit values tightly into 32-bit words (10+10+10+2 padding) for efficient processing. The logarithmic encoding mimics the human eye's response to light and the physical characteristics of film stock.
DPX is the direct successor to Kodak's Cineon (.cin) format, which was developed in the early 1990s for the first digital film scanners. As the industry moved towards digital workflows, SMPTE (Society of Motion Picture and Television Engineers) standardized Cineon into DPX to ensure compatibility between different vendors' scanners, printers, and software.
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