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Phase One IIQ
Intelligent Image Quality for high-end medium format photography.
IIQ (Intelligent Image Quality) is the proprietary raw image format developed by Phase One for their high-end medium format cameras. Known for storing massive amounts of data from sensors exceeding 100 megapixels, IIQ files are designed to preserve the utmost color fidelity and dynamic range, catering to professional commercial and landscape photographers.
IIQ files are essentially specialized TIFF containers. They come in two primary compression variants: - **IIQ L (Large)**: A comprehensive lossless format. It keeps 100% of the sensor data but results in very large files. - **IIQ S (Smart)**: An intelligent near-lossless compression. It reduces file size significantly (often by 30-50%) by discarding data that is mathematically redundant or invisible to the human eye, without degrading the editability of the raw file.
Phase One introduced IIQ alongside their digital backs to handle the enormous data throughput of medium format sensors. It evolved in tandem with their Capture One software, which is widely regarded as the industry standard for tethered shooting and raw color grading.
Kodak Cineon
A pioneering 10-bit logarithmic format designed by Kodak for digital film scanning and mastering.
The Cineon format (.cin) was developed by Kodak in the early 1990s as part of their Cineon Digital Film System. It was designed to capture the full dynamic range of film negatives. Unlike standard linear image formats, Cineon stores data in a 10-bit logarithmic density format, which closely mimics the response of film to light. This allows it to preserve highlight and shadow details that would be lost in linear 8-bit formats.
Cineon files use 10 bits per color channel (Red, Green, Blue), packed into 32-bit words (with 2 bits of padding). The key feature is the logarithmic encoding: pixel values represent printing density rather than linear brightness. A value of roughly 95 represents 'D-min' (clear film base), and the values scale up to represent increasing density. This allows the format to store a dynamic range that exceeds standard video formats.
Introduced in 1993, the Cineon system was the first end-to-end 4K digital intermediate workflow for motion pictures. While the hardware system was discontinued in 1997, the file format became the industry standard for visual effects and digital mastering until it was eventually superseded by the more flexible DPX (Digital Picture Exchange) format, which is directly based on Cineon.
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