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Kodak RAW
A relic from the pioneer of digital photography.
DCR is a raw image format used by older Kodak Professional digital cameras (like the DCS Pro SLR series). Kodak was a pioneer in digital imaging, and their DCS cameras were often built on Nikon or Canon bodies but used Kodak sensors and processing. DCR files contain the raw data from these CCD sensors, which were famous for their color rendition but infamous for their noise at high ISOs.
DCR files are TIFF-based but use proprietary tags and compression. They store uncompressed or losslessly compressed sensor data. Kodak had several raw extensions (.dcr, .k25, .kdc), reflecting the chaotic early days of digital standards.
Used primarily in the late 90s and early 2000s. Kodak exited the high-end professional camera market in 2005, making this format effectively dead.
Kodak Cineon
A pioneering 10-bit logarithmic format designed by Kodak for digital film scanning and mastering.
The Cineon format (.cin) was developed by Kodak in the early 1990s as part of their Cineon Digital Film System. It was designed to capture the full dynamic range of film negatives. Unlike standard linear image formats, Cineon stores data in a 10-bit logarithmic density format, which closely mimics the response of film to light. This allows it to preserve highlight and shadow details that would be lost in linear 8-bit formats.
Cineon files use 10 bits per color channel (Red, Green, Blue), packed into 32-bit words (with 2 bits of padding). The key feature is the logarithmic encoding: pixel values represent printing density rather than linear brightness. A value of roughly 95 represents 'D-min' (clear film base), and the values scale up to represent increasing density. This allows the format to store a dynamic range that exceeds standard video formats.
Introduced in 1993, the Cineon system was the first end-to-end 4K digital intermediate workflow for motion pictures. While the hardware system was discontinued in 1997, the file format became the industry standard for visual effects and digital mastering until it was eventually superseded by the more flexible DPX (Digital Picture Exchange) format, which is directly based on Cineon.
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