Dynapik offers a free online tool to change image types - no need to download anything. It's quick and easy to use. You can change your CRW images to DPX format. This tool works for both professionals and casual users. Convert your images to DPX in seconds.
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Canon RAW (Legacy)
The ancestor of modern Canon raw formats.
CRW (Canon Read/Write) is the original raw image format used by early Canon digital cameras, such as the EOS D30, D60, 10D, and the original Digital Rebel (300D). It predates the CR2 format. Unlike modern raw formats that are typically TIFF-based, CRW uses the CIFF (Camera Image File Format) structure. It often comes paired with a .thm (thumbnail) file, which contains the preview image and metadata.
CRW files store raw sensor data, usually 10-bit or 12-bit. The file structure is quite different from CR2/CR3, organizing data into a heap of 'chunks'. Because it is a legacy format, it does not support modern features like GPS tags or advanced lens profiles natively, though software can apply them in post.
CRW was used from 1997 until 2004. It was replaced by CR2 because CRW had limitations in file size and metadata extensibility.
DPX (Digital Picture Exchange)
The industry standard for digital intermediate and visual effects work in film.
Digital Picture Exchange (DPX) is a raster image format used primarily in the motion picture industry for visual effects (VFX) and Digital Intermediate (DI) work. It is an ANSI/SMPTE standard (SMPTE 268M-2003) designed to represent the density of film scans without loss of quality. Unlike consumer formats, DPX is usually uncompressed and stores color information in a 'logarithmic' (Log) format to preserve the full dynamic range of motion picture film. A single second of 4K movie footage in DPX format can consume enormous amounts of storage (hundreds of megabytes), making it strictly a production format, not one for distribution.
A DPX file starts with a 'Generic Image Header' (magic number: SDPX) containing core details like file size and image orientation. This is followed by 'Industry Specific Headers' for Motion Picture or Television data (timecodes, frame rates). Finally, the 'Image Data' block contains the raw pixel values. DPX supports a wide variety of bit depths, but 10-bit Log RGB is the most common industry standard. It packs these 10-bit values tightly into 32-bit words (10+10+10+2 padding) for efficient processing. The logarithmic encoding mimics the human eye's response to light and the physical characteristics of film stock.
DPX is the direct successor to Kodak's Cineon (.cin) format, which was developed in the early 1990s for the first digital film scanners. As the industry moved towards digital workflows, SMPTE (Society of Motion Picture and Television Engineers) standardized Cineon into DPX to ensure compatibility between different vendors' scanners, printers, and software.
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